The Heartbreak Kid (Widescreen Edition)

• Rechargeable model, with FREE keychain!

More and more American children are emotionally hurt early in life and cannot form the relationships necessary to heal themselves. The cost to America as these children become adults is beyond estimation. This book takes a hard-hitting look at our society's key role in creating uncontrollable, unreachable young people and the no-nonsense steps we absolutely must take toward a genuine solution.Caution! High Voltage!

Electrician Sophie North felt as if she'd touched a live wire the first time she laid eyes on Tyler Barnes. That was to be expected, of course.

He had a heartbreaking grin, an incredible body and a thousand watts of cowboy charm. Half the women in Brody, Texas, were out to snag him. But Sophie was just passing through. And she'd sworn never to live her life at the mercy of her own passionate nature.

Nevertheless, every tim! e Tyler came near her, her response was shocking. Which wasn't supposed to be happening.

Lightning was only supposed to strike once!Studio: Paramount Home Video Release Date: 05/06/2008 Run time: 115 minutes Rating: RBen Stiller and the Farrelly brothers bring out the best in each other. In The Heartbreak Kid, Stiller plays Eddie Cantrow, who--persuaded by his father and friends that he's commitment-phobic--marries a gorgeous and seemingly ideal woman named Lila (Malin Akerman, The Brothers Solomon) that he's been dating for several weeks. But after the wedding, things start to go awry... the least of these being that on their honeymoon, Eddie meets a woman who might truly be the girl of his dreams (Michelle Monaghan, Kiss Kiss Bang Bang). As in There's Something About Mary, writers/directors Bobby and Peter Farrelly push Stiller away from his increasingly schticky "tense guy" persona and draw out his sweeter, more multilayered earnest side.! On his end, Stiller provides a human core to what could just ! be a fes tival of raunch and absurdity (the movie features aroused donkeys, deviated septum jokes, and digitally-enhanced body hair, among other items of questionable taste). It only takes a quick comparison with Jim Carrey in Me, Myself & Irene or Jack Black in Shallow Hal to see what a surprisingly delicate balance that is. The Heartbreak Kid may not be quite as wildly sublime as There's Something About Mary, but it comes extremely close, with kudos to Akerman for her unrestrained nuttiness. --Bret Fetzer

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Red M-Tech Fire Fighter Rescue Knife

• Built in belt / line cutter
• 440 Stainless Steel Black Finish Blade Blade Length: 3-1/2"
• One Hand Opening for Left or Right hand Open
• Length: 8-Inch Closed Length: 4-3/4-Inch
• Fire dept emblem on front

Extreme Series All Metal Heavy Duty Fire Fighter Rescue Knife RED Aluminum Handles features:

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Fighting Tommy Riley

• Tommy Riley is a self-destructive boxer with raw talent and a fiery temper. Marty Goldberg is a trainer with inner demons too dark to bring to light. As a team, these two volatile opposites just may have what it takes to find the second chance they never had. Boasting extraordinary performances that are devastatingly poignant and vigorously uplifting, Fighting Tommy Riley is a powerful look at the

Tommy Riley is a self-destructive boxer with raw talent and a fiery temper. Marty Goldberg is a trainer with inner demons too dark to bring to light. As a team, these two volatile opposites just may have what it takes to find the second chance they never had. Boasting extraordinary performances that are devastatingly poignant and vigorously uplifting, Fighting Tommy Riley is a powerful look at the world of men, both in and outside the ring.

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Kenneth Cole Women's Blurred Animal Spot Pleated Top, Light Camel Combo, Medium

• Asymmetric pleat detail
• Long sleeve

Blurred animal spot pleated top

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FELICIA'S JOURNEY ORIGINAL MOVIE POSTER

• VIDEO 27X41 NEW
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

Young, pregnant, unmarried, and penniless, Felicia leaves her Irish hometown to search for her boyfriend in the English Midlands, only to fall in with the obese, fiftyish Mr. Hilditch, in a tale of psychological suspense. Reprint. Winner of the Whitbread Fiction & Sunday Express Prizes. NYT. Felicia's Journey is a simple tale told with a subtle complexity. Felicia is an Irish country girl who has come to England to look for her jilted lover. Hilditch is a mild-mannered, gentle psychopath who lures the helpless Felicia into his trap. Interestingly, we see the story from each character's eyes when they are separate, but from Hilditch's view when they are together. It is an unusual and ef! fective device that distorts the perspective and adds texture to a classic story. Trevor won a Whitbread Prize in 1994 for Felicia's Journey.A moving and chilling portrait of a serial killer who befriends innocent young women in need only to turn them into his victims. Felicia is the latest of his prospects to fall into the grasp of his deceptive charm. Special features: commentary with director atom egoyan theatrical trailer and much more. Studio: Lions Gate Home Ent. Release Date: 05/22/2007 Starring: Bob Hoskins Elaine Cassidy Run time: 111 minutes Rating: Pg13 Director: Atom EgoyanLike Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with ! faded videotapes of her show--and, as we eventually discover,! often t akes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penn! y ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen MurphyEver wonder what it's like to perform in a megahit musical (when you have little idea what you're doing)? From her audition to closing night -- to every moment in between -- Felicia takes you behind the scenes of her first professional show (ever!) as she understudies the lead character of Elphaba in Wicked's San Francisco company.

As she leaps professional hurdles, she faces personal challenges as well: falling in love after heartbreak (with a spatula-wielding muscle hunk), living far away from home (in the worst neighborhood of all time), confronting her overachiever demons (and an all-consuming fear of failure), and learning, ti! me and again, what it means to be green.

Hop into the ! mind of a total newbie as she gazes at professional theater's Man Behind the Curtain, in all his naked glory. Who could look away?Like Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with faded videotapes of her show--and, as we eventually discover, often takes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever! deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penny ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen MurphyFelicia's Journey explores the 1999 film adaptation by Director, Atom Egoyan, of ! Irish writer William Trevor's novel of 1994.

Issues! address ed include Hitchcockian influences, the sense of place in the visual discourse, and the characterization of the serial killer Hilditch, as constructed initially by Trevor and interpreted by Egoyan. Eschewing a crude "fidelity" model of adaptation, the study explores Egoyan's screen version as a commentary on, or significant reworking of, the original book. In particular, Egoyan's extension of the mother figure, through his creation of Gala, opens questions about memory, representation, and cinema's capacity as a reflexive medium which is a central feature of his film art.Danna offers a strange experiment on this score to Atom Egoyan's wistful and sinister film. He combines his familiar Celtic dirges, the nail-grating violins associated with Bartók, and some scattered traces of evil, backward-looping noises. Danna also (probably inadvertently) forges an under-explored link between New Age and the easy-listening style once referred to as "Beautiful Music." Oddly, the most in! triguing elements are the reverberant Mantovani-style strings, none of which is Danna's own creation. He instead takes them directly from old and uncredited archival library recordings. Still, there are some interesting moments, as heavenly and sentimental moods fuse with the dark and foreboding. Included are two songs by crooner Malcolm Vaughan and a brief a-capella rendition of "My Special Angel" by the film's star, Bob Hoskins (!). --Joseph Lanza PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

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Melissa & Doug Hair Stylist Costume Role Play Set

• Young stylist can brush, comb, ?cut? and ?curl? with this trend-setting hairdresser set
• Battery-powered hairdryer sounds like the real thing and blows cool air
• Check out a new style every day with the plastic hand mirror
• Make an appointment for some stylin? fun
• Exceptional quality and value

Queen Latifah heads an "excellent ensemble" cast in this "warm, funny, empowering" (New York Post) comedy from the producers of Barbershop and the producer of Bringing Down the House! Co-starring Alicia Silverstone, Andie MacDowell, Alfre Woodard, Mena Suvari and Djimon Hounsou - and featuring Kevin Bacon in a hilarious performance - Beauty Shop "will slap a smile on your face and keep it there" (Premiere)! When Jorge (Bacon), the egotistical boss at a posh salon, pushes his star stylist, Gina(Latifah), a hair too far, Gina leaves and opens a beauty shop of her own. Inher! iting an opinionated group of stylists, a colorful clientele and a sexy upstairs neighbor, Gina proves that you can't keep a good woman down - and you can't keep a shopful of outrageous women from speaking their minds!With Queen Latifah holding court over a cast of sassy females, Beauty Shop continues the Barbershop franchise in entertaining style. Reprising her role from Barbershop 2: Back in Business, Latifah plays Gina the big-booty stylist, now on her own (she's a widow) and moving from Chicago to Atlanta, where she gets sick of her flamboyantly bitchy boss (played by... Kevin Bacon?), inherits her two best clients (Andie MacDowell and Mena Suvari) and her popular formula for "hair crack" conditioner, and opens her own styling shop with a $30,000 loan and a rainbow coalition of hairdressers played by Golden Brooks, Sherri Shepherd, Alfre Woodard and Alicia Silverstone. While it lacks the frank, sharply observant racial humor of Barbershop, th! is easygoing comedy moves along at an agreeable pace, with a s! upportin g cast of beauty-shop customers (and a love interest, played by Djimon Hounsou) who play off Queen Latifah's effortless appeal with energy to spare. Sure it's conventional, and most of the characters are thinly developed, but Beauty Shop is a fun place to visit for 105 hassle-free minutes. --Jeff ShannonThe Beauty Shop is UNDER NEW MANAGEMENT and the new owner’s name is "BIG MAMA LUCILLE." ‘Big Mama’ is actually not so big because she’s a sassy, sexy and flirtatious midget with all the elements that a beauty shop owner could ever ask for. Her shop is loaded with gossip, craziness and cat-fights…not to mention the outrageous characters that work for her. The daily issues that arise in the shop range from adultery and bad hygiene to dirty talk and bachelorette parties. As usual, in this Beauty Shop there’s hysterical laughter, dynamic singing and surprises galore. This is not a gospel stage play, but rather a side-splitting, comedic production; an ! evening of non-stop laughter and just like the original, "BEAUTY SHOP" is total entertainment.Make an appointment for some stylin fun with the Melissa and Doug Hair Stylist Role Play Costume Set. Your young beautician can brush, comb, cut,in and dry to create just the right look. Each set includes a machine-washable smock, name tag, comb, brush, non-cutting scissors, and a hand mirror. The included blow dryer blows cold air and sounds just like the real thing! The Hair Stylist Costume is sure to inspire dramatic and pretend play fun!

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American Cannibal - The Documentary

• Reality television reaches a preposterous extreme in this spoof of the addictive genre. Told through reality-techniques in a sub-documentary style, AMERICAN CANNIBAL captures the journeys that two television writers take in a last-ditch attempt to find success, no matter what the cost. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: NR Age: 880215104393 UPC: 880215104

American Cannibal has been chosen by MTV as Best Documentary of 2007.

AMERICAN CANNIBAL takes the reality television craze to the next provocative level as two out of work television writers desperately try to get their break on the small screen. Dave Roberts and Gil S. Ripley are hired by the publicity-obsessed promoter Kevin Blatt, to create a brutal all-or-nothing reality television show "where survival is just the beginning." Soon, all involved with the production realize that their lust for success is eat! ing at them literally and figuratively.

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Enduring Love: A Novel (Sydney Cove)

• ISBN13: 9780800731786
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, ! and suspense, and of how life can change in an instant.Joe Rose has planned a postcard-perfect afternoon in the English countryside to celebrate his lover's return after six weeks in the States. To complete the picture, there's even a "helium balloon drifting dreamily across the wooded valley." But as Joe and Clarissa watch the balloon touch down, their idyll comes to an abrupt end. The pilot catches his leg in the anchor rope, while the only passenger, a boy, is too scared to jump down. As the wind whips into action, Joe and four other men rush to secure the basket. Mother Nature, however, isn't feeling very maternal. "A mighty fist socked the balloon in two rapid blows, one-two, the second more vicious than the first," and at once the rescuers are airborne. Joe manages to drop to the ground, as do most of his companions, but one man is lifted sky-high, only to fall to his death.

In itself, the accident would change the survivors' lives, filling them w! ith an uneasy combination of shame, happiness, and endless se! lf-repro ach. (In one of the novel's many ironies, the balloon eventually lands safely, the boy unscathed.) But fate has far more unpleasant things in store for Joe. Meeting the eye of fellow rescuer Jed Parry, for example, turns out to be a very bad move. For Jed is instantly obsessed, making the first of many calls to Joe and Clarissa's London flat that very night. Soon he's openly shadowing Joe and writing him endless letters. (One insane epistle begins, "I feel happiness running through me like an electrical current. I close my eyes and see you as you were last night in the rain, across the road from me, with the unspoken love between us as strong as steel cable.") Worst of all, Jed's version of love comes to seem a distortion of Joe's feelings for Clarissa.

Apart from the incessant stalking, it is the conditionals--the contingencies--that most frustrate Joe, a scientific journalist. If only he and Clarissa had gone straight home from the airport... If only th! e wind hadn't picked up... If only he had saved Jed's 29 messages in a single day... Ian McEwan has long been a poet of the arbitrary nightmare, his characters ineluctably swept up in others' fantasies, skidding into deepening violence, and--worst of all--becoming strangers to those who love them. Even his prose itself is a masterful and methodical exercise in defamiliarization. But Enduring Love and its underrated predecessor, Black Dogs, are also meditations on knowledge and perception as well as brilliant manipulations of our own expectations. By the novel's end, you will be surprisingly unafraid of hot-air balloons, but you won't be too keen on looking a stranger in the eye.

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores th! e intricacies of this haunting novel to offer:

• ! an acces sible introduction to the text and contexts of Enduring Love
• a critical history, surveying the many interpretations of the text from publication to the present
• a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section
• cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism
• suggestions for further reading.

Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

Just when things seem to be looking! up for John and Hannah Bradshaw, their world is turned upside down. Years ago, John was in prison when he was told his first wife, Margaret, died. So how is it that she shows up in Sydney Town looking to pick up where they left off?

Her marriage now null and void, Hannah is distraught. But she and John feel they must separate to allow John's first marriage to continue. But is Margaret hiding something after all? And just what will she do to get what she wants?

This conclusion to the Sydney Cove trilogy will draw readers in with its suspenseful, romantic, and tender narrative.

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The Chronicles of Narnia: The Voyage of the Dawn Treader [Blu-ray]

• Return to the magic and wonder of C
• S
• Lewis' epic world in this third installment of the beloved Chronicles of Narnia fantasy-adventure
• When Lucy and Edmund Pensive, along with their cousin Eustace, are swallowed into a painting and
• The courageous voyagers travel to mysterious islands, confront mystical creatures, and reunite with

Return to the magic and wonder of C. S. Lewis' epic world in this third installment of the beloved Chronicles of Narnia fantasy-adventure series. When Lucy and Edmund Pensive, along with their cousin Eustace, are swallowed into a painting and transported back to Narnia, they join King Caspian and a noble mouse named Reepicheep aboard the magnificent ship The Dawn Treader. The courageous voyagers travel to mysterious islands, confront mystical creatures, and reunite with the Great Lion Aslan and a mission that will determine the fate o! f Narnia itself! The third film based on C.S. Lewis's fantasy books, The Voyage of the Dawn Treader opens three years after the Pevensie children return from battling to restore peace to Narnia in The Chronicles of Narnia: Prince Caspian. Edmund (Skandar Keynes) and Lucy (Georgie Henley) are still staying with Eustace (Will Poulter), while Peter and Susan have gotten older and moved on to school and America, respectively. Still as surly and unbelieving as ever, Eustace continues to mock his cousins for their Narnian fantasies. But when water begins spilling into their room from a painting hanging on the wall, all three young people are swept onto the decks of the sailing ship known as the Dawn Treader, which is afloat in the waters of Narnia. This time, there are no wars to be fought in Narnia. But it soon becomes evident that the trio is destined to help King Caspian (Ben Barnes) solve the mystery of the disappearance of the seven lords of Telmar, and prevent! the ongoing sacrifices of large groups of Narnian people to t! he evil green mist. So begins a quest through uncharted waters that will require each of the children to resist temptations like beauty and power, and to conquer the darkness within themselves in order to defeat the threat to Narnia's people. The battle promises to yield unexpected heroes, and through their journey, Edmund, Lucy, Eustace, and even King Caspian and Reepicheep (voiced by Simon Pegg) each grow and mature. Eventually, Aslan (voiced by Liam Neeson) will ask each adventurer to make an important choice that will forever influence his or her future. The Voyage of the Dawn Treader features plenty of high adventure, sword-fighting action, and personal peril, and while it fails to fully capitalize on the characters' motivations or to earn viewers' full emotional investment, it is still a solid addition to the Narnia film series. (Ages 7 and older) --Tami HoriuchiORIGINAL MOTION PICTURE SOUNDTRACK
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER
Return to the magic and wonder of C.S. Lewis' beloved world via the fantastic Narnian ship, the Dawn Treader. The Chronicles of Narnia: The Voyage of the Dawn Treader Original Motion Picture Soundtrack is composed by Grammy® Award-winner David Arnold (Independence Day, Casino Royale) and follows the hugely successful first two soundtracks in The Chronicles of Narnia series. Arnold has delivered a stirring new score while incorporating the beloved themes from the prior Narnia films composed by Harry Gregson-Williams.

The Dawn Treader will take you places you never dreamed existed.

The BBC Radio production of The Voyage of the Dawn Treader is a delightful two-hour sail on the most fabulous ship in Narnia. Lucy and Edmund, with their dreadful cousin Eustace, get magically pulled into a painting of a ship at sea. That ship is the Dawn Treader, and on board is Caspian, King of Narnia. He and his companions, including Reepicheep, the valiant warrio! r mouse, are searching for seven lost lords of Narnia, and th! eir voya ge will take them to the edge of the world. Their adventures include being captured by slave traders, a much-too-close encounter with a dragon, and visits to many enchanted islands, including the place where dreams come true. The adaptation is faithful to its source, C.S. Lewis's series of Narnia books, which have provided exciting and uplifting tales for generations of children. BBC Radio does wonders with sound effects--the ship creaks in the wind, the sorrowful dragon roars lugubriously--and musical cues and interludes that keep the pacing dynamic. There's also a splendid cast of plummy British voices, making this far more than a book read onto cassette--it's an audio drama, as enjoyable as a trip to the theater. Grownups who buy this tape for their children will want to borrow it for themselves. (Running time: two hours, two cassettes) --Blaise Selby

The Dawn Treader will take you places you never dreamed existed.

Return to the magic and wonder o! f C. S. Lewis' epic world in this third installment of the beloved Chronicles of Narnia fantasy-adventure series. When Lucy and Edmund Pensive, along with their cousin Eustace, are swallowed into a painting and transported back to Narnia, they join King Caspian and a noble mouse named Reepicheep aboard the magnificent ship The Dawn Treader. The courageous voyagers travel to mysterious islands, confront mystical creatures, and reunite with the Great Lion Aslan and a mission that will determine the fate of Narnia itself! The third film based on C.S. Lewis's fantasy books, The Voyage of the Dawn Treader opens three years after the Pevensie children return from battling to restore peace to Narnia in The Chronicles of Narnia: Prince Caspian. Edmund (Skandar Keynes) and Lucy (Georgie Henley) are still staying with Eustace (Will Poulter), while Peter and Susan have gotten older and moved on to school and America, respectively. Still as surly and unbelieving as ever, ! Eustace continues to mock his cousins for their Narnian fantas! ies. But when water begins spilling into their room from a painting hanging on the wall, all three young people are swept onto the decks of the sailing ship known as the Dawn Treader, which is afloat in the waters of Narnia. This time, there are no wars to be fought in Narnia. But it soon becomes evident that the trio is destined to help King Caspian (Ben Barnes) solve the mystery of the disappearance of the seven lords of Telmar, and prevent the ongoing sacrifices of large groups of Narnian people to the evil green mist. So begins a quest through uncharted waters that will require each of the children to resist temptations like beauty and power, and to conquer the darkness within themselves in order to defeat the threat to Narnia's people. The battle promises to yield unexpected heroes, and through their journey, Edmund, Lucy, Eustace, and even King Caspian and Reepicheep (voiced by Simon Pegg) each grow and mature. Eventually, Aslan (voiced by Liam Neeson) will ask each adventurer! to make an important choice that will forever influence his or her future. The Voyage of the Dawn Treader features plenty of high adventure, sword-fighting action, and personal peril, and while it fails to fully capitalize on the characters' motivations or to earn viewers' full emotional investment, it is still a solid addition to the Narnia film series. (Ages 7 and older) --Tami Horiuchi

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