- AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus (West) legendary Nin
Set in ancient Egypt under Roman rule, AGORA follows the brilliant and beautiful astronomer Hypatia (Weisz) who leads a group of disciples fighting to save the wisdom of the Ancient World, as violent religious upheaval spills into the streets of Alexandria. Among these disciples are two men competing for her heart: the witty, privileged Orestes (Isaac) and Davus (Minghella), Hypatia’s young slave, who is torn between his secret love for her and the freedom he knows can be his if he chooses to join! the unstoppable surge of the Christians.Alternating between cosmic splendor and human squalor,
Agora is a movie of unusual ambition. In the last days of the Roman Empire, the Egyptian city of Alexandria is torn between the aristocratic pagan society and the emerging, rough-and-tumble Christians. As this broad cultural conflict teeters violently back and forth, the scientist-philosopher Hypatia (Rachel Weisz,
The Brothers Bloom,
The Fountain) struggles to resolve the motion of the planets with her belief in celestial perfection. Tangled in her life are three men: a Roman prefect (Oscar Isaac,
Body of Lies), a Christian bishop (Rupert Evans,
Hellboy), and a slave (Max Minghella,
The Social Network) who turns to Christianity to escape his unrequited love for Hypatia. Some viewers will be uncomfortable with
Agora's depiction of early Christianity and others will quibble about the movie's historical accuracy, but the movie's them! es--of faith vs. zealotry, of religion vs. the spirituality of! science --and its vivid depiction of one culture being brutally supplanted by another demonstrate a scope seldom found in contemporary film. Writer-director Alejandro Amenábar previously made popular ghost story
The Others, mind-bender
Open Your Eyes, and heartbreaker
The Sea Inside; clearly, this is a career to watch. Don't overlook the deleted scenes--the gorgeous original opening shot accentuates the twin pulls of science and spirituality.
--Bret FetzerAn allegory: fourth century Christians as Taliban. Alexandria, 391: Hypatia teaches astronomy, mathematics, and philosophy. Her student Orestes is in love with her as is Davus, her personal slave. As the city's Christians, led by Ammonius and Cyril, gain political power, the great institutions of learning and governance may not survive. Jump ahead 20 years: Orestes, the city's prefect, has an uneasy peace with Christians, led by Cyril. The Christians enforce public morality; first they see the Jews as t! heir obstacle, then women. Hypatia has no interest in faith; she's concerned about the movement of celestial bodies and the brotherhood of all. What place is there for her?AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in the face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbinder), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorlacon. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by the revenge hungry Pict Warrior Etain (Kurylenko), the band o! f soldiers race to rescue their General and to reach the safet! y of the Roman frontier.
Centurion isn't just a rousing adventure, but a return to form for
The Descent director Neil Marshall after the disappointing
Doomsday. Irish actor Michael Fassbender (
Inglourious Basterds) plays Quintus Dias, a Roman soldier attempting to defend the Empire against Northern England's indigenous Pict population, when they take him captive. Once General Virilus (
The Wire's Dominic West), who inspires fierce devotion in his men, gets wind of the skirmish, he sets out to vanquish opposition leader Gorlacon (Ulrich Thomsen) with the aid of Etain (
Quantum of Solace's Olga Kurylenko), a mute tracker. Though his Ninth Legion, which includes Bothos (David Morrissey) and Brick (Liam Cunningham, Fassbender's
Hunger costar), tracks down Quintus, the Picts slaughter most other comrades and seize Virilus, shifting the battle for conquest into a struggle for survival, a Marshall specialty since
Dog Soldiers. Only Arian! ne (
Solitary Man's Imogen Poots), a medicine woman who treats Bothos's wounds, arrives as a light in the darkness, holding out the promise of romance should Quintus make it out of Pict territory alive. Though
Centurion isn't a world away from historical epics like
Braveheart and
Gladiator--and succumbs to some of the same genre clichés--Marshall conjures up more of a Western feel with the Romans standing in for cowboys and the Picts for Indians. There's carnage aplenty, but also stunning Highland vistas in shades of emerald and teal. And though Fassbender is a fine actor, West and Kurylenko end up stealing the show by virtue of their more dynamic performances.
--Kathleen C. Fennessy
7:12 PM
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